“My work utilizes reductive geometries, using the sensuous properties of [oil in high melt wax] paint to describe Containment/Freedom issues. By focusing on variations of rectangles—ranging from grids to squares within squares and their interrelationships—the 30 layers of translucent, [oil in high melt wax] invites the viewer to contemplate the painting beyond its surface.”
—Barbara Kerwin, “Rectangles,” 1996-2006
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